Saturday, 25 March 2017

Photographic storyboard (Joe Fisher)


This photographic storyboard i tried to base off the original draft storyboard. The order goes as follows (with explanation).
1) The camera will zoom in on the desk, and the contents of the desk will be revealed to the audience.
2) The camera will then cut to a shot of the desk, but now our character is shown to pull out a cloth of weapons, represented by the stationary in this photo.
3) The character is the shown to pull out what appears to be a case file. After swiping the desk of the mess which lay on top of it, he slams the file on to the desk and opens it. Due to the camera shot, the information inside the case file is revealed to the audience, showing the characters next victim.
4) between this shot and the and the case file shot, the character will begin to refine a knife and then cut himself on it, resulting in blood dropping on to the photo.
5) The camera will then cut to a close up shot of the person in the photos house address, and where our character is going
6) The Camera then cuts to an close p shot of our character holding the picture in his hand, allowing the audience to clearly see the person in the photo.
7) The Camera will then revert back to the original shot of the desk, and this time the character is shown folding up the weapons in a cloth and then putting them back in the draw. he then walks out the door and the door slams
8) When the door slams, the camera will cut to black

The photographic storyboard, as opposed to the draft storyboard of this film, will allow us to have a look at how the running order of our film looks like realistically, instead of having to imagine it through drawing. This is the aspect i really like about a photographic storyboard, as it allows us to analyse and critique the running order of the film, and how it can be composed. In terms of the photos, the set has not been set up yet, so i just used a desk as improvisation to see how the film would roll.




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